I’m sorry, but after seeing shit like this, I can’t support Israel at all. I apologize for invoking Godwin’s law, but they’re acting as evil as the Nazis did, getting back for the Holocaust the way black Americans are trying to get back for slavery. I support one country called Palestine, where Hebrews, Arabs, Jews, Christians, and Muslims all coexist, not in apartheid (and Palestine’s flag doesn’t even have a crescent moon on it the way Israel’s has the Star of David, which to me is today to the Palestinians what the swastika is to the Jews and the Southern Cross is to black Americans). America needs to stay the hell out of international affairs, pissing away trillions on international conflicts that have nothing to do with us, and focus on its issues. Putting the interests of foreigners above residents of your country is called treason, similar to Abraham Lincoln’s illegal invasion of the Confederacy. I’m no isolationist, but I believe that containment while working for peace is the best policy towards warring nations.
This is for one of my oldest friends in the furry fandom (I was penpals with her when LiveJournal was still a thing), and while we had our…disagreements, we were (mostly) on good terms.
I had done this for her as a birthday gift last year. She appreciated it when I showed it to her on FurAffinity, and another friend noted that she was surprised, given her ideological leanings (since many furs don’t like their fursonas depicted in…certain outfits, as I learned many times the hard way). Even if Reaux (the giftee) wasn’t sincere in appreciating my artwork, she was nice, so that sits well with me.
Some other art…
Been messing around with ideological art lately. Someone on DeviantArt thought my own political leanings were…vague, and I’ll acknowledge that I have strong beliefs in many directions, and as a result, I really don’t fit in perfectly with any specific ideology, party, or whatever.
Anyway, here’s the first.
My Christian views, as well.
And part of a new series I’m starting, called “Insanity is…”
An anime adaptation of many Old Testament stories from the Bible (and the story of Jesus’ birth) from Tezuka Productions that stemmed from a request by the Vatican of the studio during the 1980s, with studio founder Osamu Tezuka dying during its production. Among the quirks the studio injected was a mascot character, a fox named Roco; their depictions of Roco and other animals, primarily those in the Genesis portions, are endearing. There seemed to be many episodes missing from the internet, particularly the later ones. However, I still enjoyed this series, even if the English acting often seemed stiff.
Based on the rock opera by Andrew Lloyd Webber and Tim Rice, the first film adaptation of Jesus Christ Superstar, directed by Norman Jewison (who had two years before directed that of Fiddler on the Roof) is an incredibly psychedelic take on the story of Jesus that screams “the 1970s,” rife with tons of WTF anachronisms (like a bus of hippies, military soldiers that resemble those of the film’s time, and a few air force jets, among others), and sizably focusing on historical/religious figures like Jewish high priest Joseph ben Caiaphas (whose name and biblical role I now know thanks to the film and his respective Wikipedia article), with bizarre takes on other luminaries like King Herod as well.
I don’t want to go into intense depth about the film. However, I will say that it exemplifies my belief that the quality of any form of media like books, film, television, and video games (for me especially), positive or negative, is almost strictly a point of view. Much of the music is enjoyable and sometimes catchy but frequently has abrupt instrumental, stylistic, and tonal shifts, with its other aspects having abundant WTF and YMMV moments. I found the film incredibly entertaining (but as I said, film quality is often a point of view) because I relate to the story of Jesus as an autistic (like being seen as delusional and ostracized by my kind) and have certain biases regarding the religious commentary, in which case it very much deserved the criticism from religious groups it got at its time of release.
Overall, I enjoyed the movie but can easily understand why and how many others would feel otherwise.
Based on the 1951 Lerner and Loewe American Western musical of the same name, the 1969 adaptation of Paint Your Wagon stars Lee Marvin as a prospector, Clint Eastwood as an amnesiac whom he recruits as his business partner, and Jean Seberg as one of a Mormon’s wives that he decides to sell to the highest bidder. I first saw this film as a rental in my town’s Blockbuster Video when that chain was still a thing, the title alone piquing my curiosity, the fact Clint Eastwood was in it being one of the sole things I knew about it. The following knowledge I would get about the film came from a brief spoof in The Simpsons episode “All Singing, All Dancing.”
Despite the title, the musical has nothing at all to do with literally painting wagons, with “paint your wagon” being a (very) dated expression meaning “to get things done.” Marvin’s character, Ben Rumson, dubs Eastwood’s “Pardner” as he recuperates, with a new tent town, “No Name City,” emerging when they discover gold. The male inhabitants become lonely from no female companionship until the mentioned Mormon husband comes and sells his wife Elizabeth to a drunken Rumson. A love triangle quickly emerges when Ben leaves his fiancé under Pardner’s care.
The latter portion of the movie involves Rumson and his men scheming to tunnel beneath No Name City to collect gold dust precipitating through the floorboards of saloons from paying customers, the only notable plot detail of which I had heard, courtesy my high school economics class, before I streamed this film. A zealous parson also comes to town in futile attempts to get its residents to abandon their sinful ways. Of course, many musical numbers abound, and while Marvin and Eastwood have never been known for their singing abilities, they did decently, with the former’s “Wand’rin’ Star” probably being the high point of the film’s songs.
While I know this film gets its share of criticism, much justified, I found it an entertaining watch, with some initial themes like Rumson putting his business partners first and his apathy towards humanity resounding well with me. Mature content like references to venereal disease and prostitution also get some spotlight. Religious themes are front and center as well, given Rumson’s indifference towards God, the references to Mormonism and polygamy, and the ultrareligious preacher. Much of the film likely didn’t fly well with 1969 moviegoers (though modern audiences would probably find it less offensive than, say, Blazing Saddles). However, I think that time has vindicated it somewhat, and don’t regret seeing it.
A color remake of the 1925 silent film, Metro-Goldwyn-Mayer’s iconic version released in 1959, like its precursor based on Lew Wallace’s epic historical novel, stars the late Charlton Heston as the eponymous Judah Ben-Hur, a wealthy Jewish prince and merchant living in Jerusalem, twenty-five years after the birth of Jesus in Bethlehem, with both cities under the jurisdiction of the Roman Empire in the Judaea province. As in the book, Ben-Hur is condemned to galley slavery when loose roof tiles from a building from which he witnesses an imperial procession nearly kill the new governor.
Three years later, Ben-Hur is a rower for the flagship of Roman Consul Quintus Arrius, who adopts him as his son after a naval battle leaves the two stranded, and the former spends time in Rome, training as a charioteer. The former returns to Judaea, meeting the Magi Balthasar and Arab Sheik Ilderim, who want him to participate in a chariot race before the new Judean governor, Pontius Pilate, although Ben-Hur initially refuses. However, after learning the fates of his sister and mother, he changes his mind, seeking revenge against Messala in the film’s iconic chariot race recreated from the silent film version and loosely done so twoscore later in the podrace of Star Wars: The Phantom Menace.
The rest of the film has Ben-Hur returning to Judaea to find his mother and sister, also witnessing the trial and crucifixion of Jesus. Overall, this film easily qualifies as a classic, yet deviates from Wallace’s novel in many ways, like what happens with Messala, the post-chariot race portions involving Judah’s mother and sister, and the absence of the scenes at the beginning of the Three Magi meeting and what happens with the Hurs after Christ’s execution and beyond. Regardless, it stands well by itself and is a significant part of cinematic history that warrants viewership by any cinema buff.
Written by Union Civil War General Lewis “Lew” Wallace, the first fictional work of literature blessed by a Roman Catholic Pope (Leo XIII), and the inspiration for numerous live-action and animated film adaptations, Ben-Hur opens with the Three Magi: Gaspar the Greek, Melchior the Hindu, and Balthasar the Egyptian, visiting the newborn Jesus Christ in Bethlehem. Twenty-one years later, the Roman Messala and the titular Jewish protagonist, Judah Ben-Hur, have a rivalry, with the latter being sent to galley slavery for life after a tile from a home whence he witnesses a procession nearly kills the new procurator of Judea, Valerius Gratus.
A few years later, Ben-Hur labors as a galley slave aboard a ship commanded by Quintus Arrius, who is fascinated by the young Jew and thus adopts him as his son. In Antioch, Judah sees Messala again and yearns to rival him in a forthcoming chariot race while hearing of a Messiah speaking of a greater kingdom, not of the Earth. The race transpires, but the results are contested, with northern barbarians dispatched to kill the Jew when he finds himself in an empty palace following the games. However, a maneuver involving his falsified demise allows him to escape.
Afterward, Pontius Pilate succeeds Valerius Gratus as governor of Judea, and Ben-Hur seeks his mother and sister, who went missing after the incident that led him into slavery in the first place. He eventually meets the prophesized King of the Jews, witnessing His miracles and returning to his former palace. Throughout the book, Judah befriends Balthasar’s daughter Iras, who talks of an escaped galley slave Jew who murdered others when they reunite. Messala’s fate receives its resolution, Judas Iscariot betrays Jesus, and the Messiah is crucified, having refused the throne of His ancestor David.
While I had read this around a decade ago, it didn’t very well stick with me, but I remembered some elements. However, I enjoyed Ben-Hur more with my recent reread. The historical and geographical tidbits indicate that Wallace did his research, with the names of the Wise Men and their respective countries of origin adding nice touches. I could well relate to the themes, within and without my Christian faith, and while there were many portions I somewhat skimmed, I could still follow the central plot well. Granted, much of the dialogue is awkward, such as “Unclean, unclean!” regarding lepers, but Ben-Hur is a must-read for any Christian book enthusiast.
Today was “Cow Milked While Flying in an Airplane Day,” and since it was also Sunday, I used the prompt “holy cow” to generate these on Bing Image Creator:
And created a “holy cow” of my own using the old coat of arms of Holstein (in what is today Germany), using its namesake cattle breed (i.e. Holstein Friesians, or spotted black-and-white dairy cows as they’re more commonly known):
I was randomly surfing the internet when I discovered this web series about the titular fictional Christian educational cartoon starring the lapine Angel Gabby, who interacts with an earthly badger, Friend Francis, teaching important lessons to younger viewers. The main viewer is Jonah, to whom Gabby directly talks, with some dark twists occurring as the series goes on, with the show itself marketed as part of the analog horror genre. Even so, I didn’t find it all that scary, yet the animal characters are cute. Some of the longer segments on YouTube show off the music featured in the series, most being old doo-wop songs. Ultimately, it’s not an excellent show, but an endearing one.
Remy's Ramblings 